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Structural action levelImage and ideographic levelIn a word, the poem "Falling red is not a heartless thing, but turning into spring mud will protect flowers more" is like a bright lamp, which illuminates the direction for us on the road of inspiration and inspires us to face life with a positive and optimistic attitude, dedication and persistence at all stages of life, to create our own wonderful things, and to make life bloom with eternal brilliance in the ever-changing value.

-Conforming to traditional values: In China's traditional culture, there has always been the idea of "helping the world if you are up to speed, and protecting yourself if you are poor", as well as the value orientation of advocating dedication and paying attention to spiritual inheritance. Gong Zizhen's poem fits in well with this cultural background. He still chooses to practice the concept of "helping the world at the same time" in another way when he is frustrated personally and can no longer directly display his ambition in the officialdom. He shows the spiritual quality of selfless dedication by self-metaphor, which echoes the feelings of home and country and the sense of responsibility held by people with lofty ideals throughout the ages. Therefore, this poem can arouse widespread resonance and is deeply loved and respected by people.From many angles, "falling red is not a heartless thing, but turning into spring mud is more protective of flowers" all shows high artistic value, deep thinking and far-reaching influence. It is like a bright pearl in a literary treasure house, shining with wisdom and spiritual brilliance, which deserves people's repeated taste and in-depth understanding.The power of continuing dreams and inheriting missions.

"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:Artistic technique level